Askold Kurov's bold and compelling documentary chronicles the erosion of press freedom in Russia in the run up to, and during, the invasion of Ukraine.
With unparalleled access, Of Caravan and the Dogs follows a group of independent journalists and activists whose criticism of the war in Ukraine leads to their censorship and exile. ‘There´s such a thing as self-respect’, muses one journalist in a staff meeting called to discuss the ethics of publishing under new, arcane censorship laws. Structured around a countdown to war, the film intercuts tense meetings between newspaper staff with footage of Russian police ransacking media offices, televised broadcasts by Putin, large-scale protests in Russia and on-the-ground footage from an embattled Ukraine. The film is both a powerful exploration of the personal dilemmas of people living under strict repression and a unique perspective on resistance movements within a notoriously hermetic state.
观众对《我们与俄的距离》的评价两极分化，一方面认为剧情离谱、演员表现惊艳，另一方面认为编剧粗制滥造、剧情不合理。
该片以其深刻的战争描绘和人性的探讨赢得了观众的广泛赞誉。剧中的视觉效果和演员的精湛表演让人深刻体会影片的精彩之处。
它是一部值得一看的电影，通过其故事和表现手法，让观众反思剧内向观众表达的意义和人性的复杂！
这是一部非常特别的影片，没有大开大合的剧情，没有博人眼球的类型元素，没有贯穿到底的故事脉络。像是一杯温开水，看似平淡，却喝起来十分解渴。
说真的，《我们与俄的距离》看完后我真的是久久不能平静！因为这部影片确实带给人的震撼太大了！不论是剧情节奏，还是剧情尺度，都让人不敢相信这是其它剧的水平。
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